Kowane halitta da Klonokskaya ya kirkira tana kama da tana fashewa daga ciki, tana fallasa kayan jikinsu mai sanyi. A cikin ayyukanta, mai zane ta jawo hankali ga tsararrun halittu na daji, tare da jaddada zafin gushewar ciki da bambanci.
Hotunan da ba su dace ba, kamar yadda mai zane ya tsara, ana sanya shi a gaban manyan zane-zane na shahararrun masanan da suka gabata. Dukkanin canvases an zaba dasu a hankali, saboda siffofi masu fasali guda uku wanda yake jan hankali tare da kukan kodiya sune ainihin kwafin halittun da aka nuna a duniyar yanayin launuka biyu. Don haka, Martha Klonowska tayi ƙoƙarin motsa dabbobi daga matsayin na biyu zuwa tsakiyar masu kallo.
Mawakin ya yi imanin cewa yana gurbata iyakokin da ke tsakanin hoto da gaskiya, yana jawo duk masu halaye a cikin aikin zuwa wani sararin samaniya, abubuwan da suka sa mutum yin tunani game da rashin tabbas a rayuwa.
Daga cikin sanannun ayyukan Clon sassaka na karnuka masu rakiyar muhimman lambobin tarihi. Dabbobi masu karimci, a ra'ayinta, an nuna su a kanjamomi a matsayin alama ta dukiya da iko, amma ta ikon masarauta masu iko.
Ba wai kawai Baƙon Yaren mutanen Poland ya yi amfani da kayan da ke buƙatar sake juyawa don ƙirƙirar ayyukan fasahar ba. Don haka a Venice Biennale na kayan gine-gine, an nuna aikin Devebere, wanda aka yi da kwalabe na filastik, kuma zanen Isra’ila Nirit Levav ya gabatar da zane-zanen jama'a na karnukan daga tsoffin sassan.